Monday, December 9, 2013

Topics List for Projects

Murakami’s 1Q84: Topics for Exploration

General Topics

Murakami’s image of Japan (historical, cultural, imaginative)
Murakami and popular culture (music, literature, film, etc.)
Murakami’s 1Q84 in relation to George Orwell’s 1984
Murakami and Anime (the Anime aesthetic, possible influence of Anime)
Murakami and Love (a major theme in 1Q84)
Murakami’s Politics (liberal, conservative, radical?)
Murakami and Slipstream fiction (as case-study/example and influence)
Murakami and the New Fabulism (as case-study/example and influence)
Murakami’s Tokyo (the city in his fiction, including other works; possible comparative work with other Japanese books and films that focus prominently on Tokyo).
Murakami’s Animism (the Little People, the Air Chyrsalis, The Golden Bough)
Murakami in a Feminist Perspective
Murakami and Metafiction (stories within the story, narrative wormholes, etc.)
Murakami and Magic Realism (overlaps with the more recent genre-concept of Slipstream are involved here).
Murakami, Gender, and Queering (is Murakami invested in the heteronormative, etc.)
Murakami and the Thriller genre (literary, film)


Comparative Topics

These allow you to discuss 1Q84 in conjunction with another book or books that relate to Murakami’s work.  Yes, these mean more reading, but bear in mind that you are not being required to read large amounts of critical writing and instead are being given an opportunity to do fresh criticism yourself, here linking Murakami to other significant writers past or present.

Murakami’s 1Q84 and one other Murakami novel (obviously this demands considerable reading, but can be very rich; likely novels include The Windup Bird Chronicle; Hardboiled Wonderland and the End of the World; and Norwegian Wood, among others.)

Murakami and Charles Dickens (his possible novelistic debt to old-school Victorian fiction and stories of orphans and cities; Oliver Twist and Great Expectations likely texts here.)

Murakami and Neil Gaiman (similarities regarding fantasy, Slipstream aspects, etc.)

Murakami and George Saunders (the fabulist/postmodern allegory aspect, others)


more to come!

Welcome

Reading 1Q84 feels very much like watching a movie.  Cutting back and forth from Aomame to Tengo, often with high suspense at the end of the chapter.

I wonder about M's relation to cinema, in terms of influences and techniques.

Or maybe pre-cinema--a Dickens serial novel, for example.